Incendiary lo-fi punks with a pedigree stretching back to mid 90s Auckland.
In the beginning, there was South Auckland’s own the Coolies, three teenage school chums Tina, Sjionel and Melissa playing the kind of racket that might have caused Johnny Rotten himself to spin in his grave, had he actually been dead.
Back then, in the mid/late nineties, the Coolies’ punk/rock’n'roll/punk was inspired by nobody. Nonetheless, their signature was a sweet and swinging Ramones/Ronettes car-crash, and a burning teenage desire to actually burn things down.
The trio recorded a 10-song tape on a ghetto blaster. The tapes circulated Auckland’s oh-so-hip & scenester K Road and the Coolies built up a cult following amongst the crowd who were not their peers at all. For a while, the band played support to virtually every decent touring band to come thru AK, and a bunch of terrible ones at that.
Eventually they got it together to release a self titled 7”, with timeless hits Madonna's the Bomb, Yr So 1960s, Go! Hot Metal and Pimpmobile. Also around the turn of the century Kill Rock Stars put a Coolies song on the Fields And Streams compilation which at the time was a big deal. So, not for the last time, the Coolies seized defeat from the jaws of victory & Melissa split.
The Coolies took the ﬁrst of many breaks. In 2004ish, Tina & Sjionel recruited Fiona to “man” the drums, a real life drum machine. The Coolies ripped up the plans and returned with a fresh new sound for a new-era. Sj switched it up with synth and samples, Tina stuck with basic blitzkrieg guitar & blah blah lyrics.
With a new buzz, the Coolies set oﬀ to take on the world. Like lightning, they were releasing a self-titled album and touring NZ, Australia + America a bunch (bands played with include EraseErrata, Total Shutdown, ArielPink, Bobbyteens, Wives, MikaMiko, WeirdWar, XBXR, Coachwhips, Deerhoof, that kinda stuﬀ). Later, the trio put out a tour EP, Bless the BabiesAnd the Mothers, which was well received in the SF region, or so they were told. But while in NYC the BJJ took their drummer away. Coolies imploded and went on another hiatus.
Mid last decade the Coolies were on the verge of uncertainty, re-evaluating the situation. Is this horse dead? Sjionel and Tina wanted to take it back to their original reason for playing - fun and trouble - so they decided to recruit legend mate and drummer Stefan (of Pumice un-fame: he’s released over 20+ records in diﬀerent bands over the years, he is the underground!)
First show playing with Stefan was at Sjionel’s house with Calvin Johnson to a bunch of indies and after that they knew this reinvigorated line-up was the perfect scenario, a new/old attitude to underground noise/post punk/oioioi, like a Shangrilas and Crass tea party. Finally the songs that they always wanted to write were writing themselves and the Coolies were excited to play kinda like the anti-sound…old/new…cliché, good/bad, whatever/who cares stop/start again.